OK, so my old idea for the B-Bop Solo had actually already been invented, and had a name (the Quotilla) thus I have created a new form that I'm really excited about, this form will freely allow me to utilize Jazz ideas of improvisation in poetry. The idea is simple; to start by writing multi-stanzaic Quotillas, and then redo the line breaks and revise the poem in whatever way best helps the poem. Each stanza will still be tied together by the ghost of the original phrase, but the poems should flow better and lose all of the awkwardness that comes from being forced to use certain words in certain places. Here is the old B-Bop Solo #4, based on the Louise Gluck line "At the end of my suffering there was a door."
THE FIRST GOSPEL
B-Bop Solo #1
At the darkest center
of the soul,
there is a cry
without end,
the song of whatever
one suffers.
The eye is the pupil
of its own affliction,
a darkness dilating
like a learning.
Is the 'I' lashed?
Is something like skin broken,
the opening jagged,
groaning like a door?
At the core
of the cry, an 'I'.
In the center
of the 'I', an Iris.
At the end of its stem,
a serrated slash.
In the mouth
of the slash,
a bead of blood.
In the blood
of the suffering,
a saltiness.
From the salt
a sound crystalizes.
The sound is a hinge,
and from a swinging
of the hinge,
something like that door
opens.
Beyond . . .
a new Hymn.
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