Sunday, April 30, 2017

HURRICANE WITH A WOMAN'S NAME

As if god stuttered the seventh letter or
in the queendom of quickened candles I smell
the pretty want preserved in her blackberry smile you
never can tell if the haze of love is grill smoke or fog burning off
I hold the scented feet of her chrysanthemum sonnets
in my mouth like penny candy until they melt
into a pseudonym for epidermic skirmish that feeds
the knocking of legs like needles knitting French novels
made like marmalade into movies starring Hepburn staring
out of desire holy as a moth-eaten hat but never
kissing like two planes crashing into a sparkling
tiara of her morphined memories unless somehow
they curl like calla lilies in the humidity pouring
as an alto aria from old pitchers of illegal aliens
like my naked hope swimming to the Atlantic shore
to avoid Customs of kissing on both cheeks she
shorts the electrical systems of my fingers
until the gaps fuse into black eyed susans and
maybe one night I lick a truth simple as egg salad
from her lips or caress her almond eyes they open like a 7-11
and serve every synapse loaded as a doe-eyed dog
with a carbonated big gulp which goes flat as Bobby McGee’s
indigo EKG after eight hours I hear myself singing
the blues to her Savoy genes and turn into the spiral
arms of a Tropical Depression that wouldn't hug a homeless
vet in 1972 falling like a barometer collapsed on itself or
slant lines of liquid silver precipitate from her stormy eye
still dream under the gaps in park benches because
my OCD makes me count every antecedent crawling
the luminous length of the concrete floor of this longing.

Saturday, April 01, 2017

NaPoMo 30/30 Haiku and Senryu

Long dawn shadows
Booty stretch
marks morning Tai Chi

subway rumble the subtext of her half-smile

April darkness pocketing my phone to follow tweets

Because a Tomahawk is not a bird we pray

Winter leaves a calendar's last days curl around us

At the top of our stares Stars

Open bedroom door Oscar Peterson's fingers on 88 keys

Low winter sun The glare from a truck with a Rebel Flag

October breeze the puddle unruffled by a V of geese

subway rumble the subtext of her half-smile

Saturday, February 11, 2017

Something old, Something new, something borrowed, something blue

PUZZLE PEACES
(For Miss Prissy)

When you toss the dark
mystery of your hair,
why are the almonds of your eyes
suddenly so sienna?
How do your lips
always seem to glisten,
ripe as a rain
kissed apple?
My hands may have trekked
from Australia to Zaire,
(although not yet Cabo Verde.)
Yet the topography
between the soft shore
of your forehead
and the smooth beach of your feet
leaves them befuzzled,
grasping at perfumed air.
They may have kayaked currents
on the Silver River,
rambled up the mythic rocks
of Mt. Rainier,
or even delved the subtext
of the Mediterranean Sea,
but encountering you
they lack any compass,
nautical chart or North Star.
Let me not notice
how the purple
of your pout
may harbor more treasure
than any ocean’s sunken chests
or these hands
might never cease
their hunger
to wander down
the coiled conundrum of your spine
and up the twin exclamation points
of your thighs,
eternally seeking to solve
each brown skinned riddle
the country of your body contains.

After Pablo Neruda

Saturday, January 21, 2017

The Orange Antichrist


Over and over again The Orange Antichrist sighs matters

The crystalline ego
of The Orange Antichrist
glitter of glass shards

The Orange Antichrist
longs to be hailed
like a taxicab

"Hail to the Thief"
The Orange Antichrist
hums along

The creek rises
is god unwilling
The Orange Antichrist looms

Look
between one headline and another
The Orange Antichrist


Thursday, January 12, 2017

GAMBLERS ANONYMOUS


This may be about the cravings in the mouth of a man with few front teeth standing by a Wizard of Oz slot machine for three or more hours, staring into the darkness. Or about what desire crosses the faces of people seated at nearby machines or the wheel of patter between them. Maybe someone once said that chocolate is just desire barred. This isn't about everything happening for a reason, except the things that don't, or about a human brain always finding patterns in the numbers of a roulette wheel even when there might only be the illusion of one. Roulette means “small wheel.” This could be about reasons being patterns in the small wheels of our minds. This could be about the divine grace of a certain waitress, dipping at the knees to serve a Chocolate Martini. Or about the darkness filling the glass she serves, but this is not about the darkness in the skin of chocolate. This might be about melodies made by spinning reels or tinkling bells or a pattern that could be encoded in the sequence of the lights. Perhaps this is about the all night party streamers of the waitresses' hair, about what inflates the life rafts of her lips, what taunts in the dark sea of her skin or what spins in the small wheels of her eyes. But, this is definitely not about the darkness in the center of chocolate. Not about how many degrees of heat could make it liquid between the lips. This wants to be about a woman walking past and checking her side view mirror to see if he's watching and is almost about which mixed drinks he may or may not sip behind the darkness of sunglasses as she swipes his debit card in the register of longing. This could be about a bar or what resembles candy in her smile.. This is not about the darkness in a sentence of chocolate. Not about how it melts and sticks. This may be about how the arrows of some eyes narrow if he doesn't speak or the mariachi band of laughter from certain lips when he does. This is likely about a no name man standing in front of a bank of thieving machines dreaming of bars lining up in a pattern on a reel, probably about a progressive jackpot. About how we invent goddesses to explain the patterns of darkness in our luck. This is not about the darkness at the center of chocolate. This seems to be a smile through reclining eyelids or a soft lick of the lips afterwards. But this can’t be about what gets wagered on the tip of a tongue or about being lost in a bet, and definitely doesn't involve the name of a goddess dissolving in his mouth on the slow cab ride from the airport of possibility to the dark shadows at the center of the city of half sighs.

Friday, September 02, 2016

Bambi (new poem)

This is a rough draft. 

BAMBI

At sixteen eye was 
the Prince of air guitar,
a lavender shimmer birthed
by a purple beacon
and nothing was real except 
your half-laced fingers on six strings—
which would not be boxed in.
Suppose heart as an empty room,
a kind of wooden box.
In the wooden box 
U then called home
there was Our Father’s piano,
forbidden as anything in Leviticus,
still U were bold enough to plink
its ivory keys while he was away.
Until he left like a Gypsy moth 
in the cruelest month.
Before U were mine “Skipper”
U were 12 years old 
and neither boy nor girl,
doe-eyed under the halo of an Afro
and crying to be allowed
to return home from a phone booth,
which is not a wooden box,
even in the dying northern light,   
especially since it lacks
the sound sculpture of pianos,   
even a piano warped 
by the purposed rain of memory.
And to be denied,
to sleep on an Aunt’s couch
or in Bernadette’s basement and hear 
Louisiana tease your tongue
like a bigger kid on the playground
and hear that all soul-sounds
even the bass below, 
can be guitar-sounds
because guitars are wooden boxes
with tuneable strings
on which the Grand Progression 
could one day mean your dovely strut 
up the ladder of the charts.
There is the missing kiss 
of your mother to sing of. 
How she tried to satisfy herself 
in the arms of another man,
her hair falling down
and her heels rising up.
Does down elevate up or up elevate down,
this question ping-pongs
into the paisley swirled sky,  
No matter. Baby, you're a Star!
Grand Marshal of a parade of women,
all that applause drowning out
the insomniac feedback of night.
A sound round as counterfeit Vicodin,
a hurt that craves the 24 keys of dawn.
Neither cocaine nor cold coffee
can hide the soft hammers
of the blue piano on your strings
but now U are an ocean of violets in bloom,
marshaled and amped up
because aren't amps boxes too?
U are amped louder and louder
into Jimi’s rising heir,
portrait of the Artist purple as paradox—
desire hums around your head,
bathes U in a sonic scent,
an untongueable symbol being brushed,
the most Beautiful One,
eyes lined with dark longing
until Daddy’s black piano 
becomes a mere wooden box of air
on an elevated stage,
although not the way
an elevator may sometimes 
be a wooden box. 
The paisley stage is empty now.
Filled with an air of Cloud guitar
the stage is dear and dearly beloved. 
The only home
U could always return to.
Eye never wanted U 2 be 
my beacon, or lover.
Eye only wanted 2 be
some kind of friend.