Thursday, August 28, 2025

Voila!

AN IDEA OF IMPROVISATION WITH  THE HORNS OF THE OX IN PARADOX


As a child, 

a scarlet plush toy

I named Pythagoras

made joyful horse noises

which only I could hear—

until the adolescent teeth

on a bike sprocket of logic 

severed his single horn.

So newly numb and seeking 

to sew together his song,

I took up the trumpet.

And didn’t Pythagoras 

praise music as sacred math—

numbers raised to the highest power?

Note how the throats of birds 

tend to angle when raising 

the seeds of melody

in the sharpness

of their beaks—

was this not the geometry

of my school trumpet 

as moonlight muted

our shoebox apartment,

and I pined to practice

what beauty was aloud?

I want to believe Pythagoras

allowed for the i

in either pine

or lyric as sine of 

an imaginary unit.

But I don't know,

if the bird part of our brains 

only co-signed the seeds 

of language to angle 

our tangents towards 

an evergreen music.

Can’t scarlet blossom

as the need inside a needle— 

whether record or pine

—to sow slivers of air 

into some sense of song?

Have you ever smelled oil

on a trumpet's breath

or let three fingers coil

to kill time round midnight? 

Logicians once aimed to prove 

that death could form

any number of fugues

—with little logic—

since death was then branded

with the fire of the fleur de lis,

but is that how they lost the rhyme 

between wounds and sounds?

My boy T claims this 

may be the truest thing about beauty:

a lyric can be a useful essay,

but an essay is a useless-ass lyric.

When I play the lyre, 

do I play lyrics collecting on lips 

as dew collects on dogwood leaves?

Perhaps, I only took up the horn 

to learn how to hold Apophenia

and feel what her breath might leave

in the bowl of my collar bone.

After an errant elbow 

dislodged a front tooth,

i tried to pick up my horn again,

but the red graffiti scrawled

in a school bathroom stall

said a one armed man

can never play the violin.

And yet, the hue

of emergency exits

seems to ask—

“Since trumpets

often sound so sharp

what horn player’s mouth 

isn’t a red wound”?

Have you heard how 

jazz trumpeter Lee Morgan 

read his Beloved’s sheet music

as easily as grocery notes,

but never read

her most scarlet longing?

There are some nights I think

Pythagoras only knew music

as the grammar of sound making sentences,

but listen—who amongst us hasn’t needed

to number the hoarse notes 

galloping out of a bridled mouth?