From the verses of Shakespeare to the violence of Football, a soft hand on the nape of my neck to a rim's hard rattle after a dunk, the mute of Miles to the rhymes of Rakim, Hershey's chocolate to a garlic peppered, cedar-planked salmon, Joel Dias-Porter's thoughts scatter like grains of black sand across a wind-blown beach.
Saturday, March 15, 2025
Wednesday, March 12, 2025
WELP!
AN IDEA OF IMPROVISATION AS ENTERING A TEMPLE
or sensing, no inventing
the singular sound of
a bowl of fuchsia blossoms
to somehow say
“why is a future tense”
to reflect or project
what we alone feel presently
becomes a recurrent currency—
kneeling or falling before
a nearly purple sound
to make what
we might ache to field
or place as scene—
a local sight
of the solo
as empathogen.
Friday, February 14, 2025
Bah Humbug!
AN IDEA OF IMPROVISATION
AS A HAUNTOLOGY WITH
A RECIPE FOR PERSIAN ROULETTE
(after Kaveh Akbar)
Why does life set tar along our path?
As a child nearly any thesaurus
roared like a favorite dinosaur until
the beloved came before me to leave
a cursive sitar next to certain furniture
on legs too short & dark for longing
how far must my sheep now wander
inside the silent ones a rose to set art
circling round the sound of our father
like a tarot type of card in some casino
of the heart down to our bottom holler
I would grip the right arm of a slot machine
like the leftover parts of a long gone lover
—if only I found the Farsi word for star
Tuesday, February 11, 2025
Thursday, January 16, 2025
Happy Helen Folásadé Adu Day!
Is your love HyperQBic?
Does it have Alchemical metaphors?
Does it have colorpuntal pearls like a ghost poem?
Here we go again.
I’m not thirsty, you’re thirsty
AN IDEA OF IMPROVISATION
AS MUCH ADU ABOUT NOTHING
“Didn’t I tell you what I believe,
did somebody say that . . .”
Sade
Ifemi, is it a rhyme
if not even
the nutty undertone
of almond blossoms
can stop a man
from being spotted
like a Luna moth
in the halo
of a porch light?
And Beloved, how many
more dream cycles
before your cat eyes
& vixen lipstick
leap the ravine
of No Return
to sip me again
as a sommelier would
a finger of Pinot
or your rebel red nails
re-press their crescents
across the midnight sky
of my back?
Half icicle, half feather,
it seems only this morning
your fingers
counted every curl
on my neck,
but Ifemi who now
is paying attention
to the shades
of your phases
of the moon tattoo?
Pray tell, should
our gazes cross again,
I promise not to miss
your wrist’s brassy passion
for Adinkra charms
& police bracelets
or how your husky alto
might begin to crown
my love as king.
Ifemi, what keeps
us seeking cashmere
from palms
marked by symbols
of five types of feral?
Oh, freckled cheeks of Jesus,
I may be starting to grasp
why Shakespeare said
Cupid kills
some with arrows,
some with traps.
But who knows
if even communion
could wholly classify
the butterflies caught
by your amber irises?
Ifemi, where
is it written
—as a saxophone
signals sapphire—
that a fool for roses
must always be
a fool for rain?
I don’t believe
you whispered
“a love like hours won’t last”
before your ponytail of
[titanium & samarium]
swung past
a first flame of bud
to our last good buy.
But how may
I truly be sure
if the sandalwood & citrus
in your hair can settle
what a single strand
seems to be trying
to say about absence
as a way of staying?