Friday, September 02, 2016

Bambi (new poem)

This is a rough draft. 

BAMBI

At sixteen eye was 
the Prince of air guitar,
a lavender shimmer birthed
by a purple beacon
and nothing was real except 
your half-laced fingers on six strings—
which would not be boxed in.
Suppose heart as an empty room,
a kind of wooden box.
In the wooden box 
U then called home
there was Our Father’s piano,
forbidden as anything in Leviticus,
still U were bold enough to plink
its ivory keys while he was away.
Until he left like a Gypsy moth 
in the cruelest month.
Before U were mine “Skipper”
U were 12 years old 
and neither boy nor girl,
doe-eyed under the halo of an Afro
and crying to be allowed
to return home from a phone booth,
which is not a wooden box,
even in the dying northern light,   
especially since it lacks
the sound sculpture of pianos,   
even a piano warped 
by the purposed rain of memory.
And to be denied,
to sleep on an Aunt’s couch
or in Bernadette’s basement and hear 
Louisiana tease your tongue
like a bigger kid on the playground
and hear that all soul-sounds
even the bass below, 
can be guitar-sounds
because guitars are wooden boxes
with tuneable strings
on which the Grand Progression 
could one day mean your dovely strut 
up the ladder of the charts.
There is the missing kiss 
of your mother to sing of. 
How she tried to satisfy herself 
in the arms of another man,
her hair falling down
and her heels rising up.
Does down elevate up or up elevate down,
this question ping-pongs
into the paisley swirled sky,  
No matter. Baby, you're a Star!
Grand Marshal of a parade of women,
all that applause drowning out
the insomniac feedback of night.
A sound round as counterfeit Vicodin,
a hurt that craves the 24 keys of dawn.
Neither cocaine nor cold coffee
can hide the soft hammers
of the blue piano on your strings
but now U are an ocean of violets in bloom,
marshaled and amped up
because aren't amps boxes too?
U are amped louder and louder
into Jimi’s rising heir,
portrait of the Artist purple as paradox—
desire hums around your head,
bathes U in a sonic scent,
an untongueable symbol being brushed,
the most Beautiful One,
eyes lined with dark longing
until Daddy’s black piano 
becomes a mere wooden box of air
on an elevated stage,
although not the way
an elevator may sometimes 
be a wooden box. 
The paisley stage is empty now.
Filled with an air of Cloud guitar
the stage is dear and dearly beloved. 
The only home
U could always return to.
Eye never wanted U 2 be 
my beacon, or lover.
Eye only wanted 2 be
some kind of friend. 

Monday, August 22, 2016

I want to take this time out to thank everyone for your birthday well wishes. In lieu of posts on my wall though I'd very much appreciate it if you could just do one random act of kindness for a stranger. 

August afternoon-
The endless ripple
of a single smile

Thursday, April 21, 2016

When Doves Fly

2:29 pm at my boy Barry's house in Brigantine, and I grab my black Eddie Bauer jacket I got at Harrahs Casino and dash out the door because the 501 to Atlantic City is due at 2:30 and I rush to corner, one hand deep in my right pocket for my change as the bus trembles up, then realize I only have $20 bills which yesterday the Treasury Dept. announced will carry a portrait of Harriet Tubman on with Andrew Jackson's now on the backside and the bus glides past and I curse our 7th President, only it's the kind of day that Bill Withers sang about and the next bus isn't due for an hour, so I stride and revise a poem in my head which I read last night at the World Above reading at Dante Hall, one of the best open readings I've been to since Its Your Mug shut down and I change the poem's title to "Portrait of the Artist as a Starfish in Coffee" because my cousin Derri Dias (who is a gorgeous actress in LA) posted a video on Facebook of Prince on The Muppets Tonight performing that song which grows on you like the hair in your ears and I decide to change the last two lines from a simile to a metaphor by cutting out the word "like" which I suddenly don't, and now I pass a brother out front of his house digging a hole in the grass between the sidewalk and the street as if putting in a new mailbox or planting a small tree or maybe just burying something we won't mention and I turn on to Brigantine Blvd. which is limited to one lane because a crew clad in yellow T-shirts with lavender lettering that reads "TCM Paving" is redoing the asphalt and I want to pull out my iPod but my Shure 535e earbuds are too good at isolating outside noise which is dangerous on this busy street and now I'm rising up one side of the bridge between Brigantine and Absecon islands and I peep white birds wheeling in the sky and that signs on the Borgata Casino and Harrahs are both purple and just as I crest the bridge and get buffeted by the gusts Brigantine is famous for, there's a notification on my iPod Touch that Derri has commented on her FB post,  "It's not fair that he's gone" and I stop to check Twitter and Prince is trending with over 2 million tweets and I peer over the railing and consider the sunlit water making its way to the Back Bay reflecting all that purple light . . .



Sunday, April 03, 2016

National Poetry Month 30/30 Haiku/Senryu

Light April rain-
Our lone purple candle
suddenly gone

Late April dusk-
The shadows slowly bury
a little red Corvette. 

Moonshine
inside the bottle
out of it

April morning-
Cherry blossoms pinken
the snow drifts

Thumb print
on a black fender-
Half Moon

Two weeks into Spring-
already a Cardinal
on the mound

Opening Day-
The Groundskeeper throws out
the rock salt

All hail
what follows the slow clap
April thunder

Back from the casino
with a single white chip-
April Moon

Last blaze of orange
at the Farmer's Market-
a robin alights

The long note 
in her last kiss
-Red Zinfandel 

Dmeentia-
At the start of the last verse
she mouths the words

Late night poker game-
She asks if I'm All In

Hibiscus flower-
The tremble of her sleeve
In the ocean breeze

My hairline 
the waters of the back bay
in sync

April sunset-
A last slice of orange
opens the lips



Friday, February 05, 2016

Latest Haiku / Senryu

After The Love Has Gone-
The empty mouth of
an album cover

August dusk-
A sandcastle melts
in the rain

Empty Starbucks-
The steady drip drip
of a woman's tears

Morning fog
While waiting for the bus
Fifty Shades of Gray

Filling the beach 
then all the benches-
Snow flurries

Winter storm Jonas-
Too much whipped cream atop
the hot chocolate

First day of Spring-
A robin pecks
crack vials

Shards of glass-
The glazed eyes
of a deer

Four AM-
Even the crack heads
yawn

First day of Pre-K-
His backpack crushed
by a hug




Thursday, January 14, 2016

New haiku senryu (and revisions)

Ziggy Stardust fell
Ground Control to Major Tom
Planet Earth is blue

kissing
your napping face-
Summer lightning

Post Burial
The old folk play
Spades

July sun
A new basketball
too big to palm

Autumn afternoon-
the mailman sorts thru
the yard

Hopscotch-
earthworms curl
on the sidewalk

Deep Insomnia-
A neighbor's 
alarm

Wine glass-
The long tilt of
Her lips

April winds-
Spending a new 
umbrella

The white king 
rocks under attack-
March wind

Talking to herself
in two coats
July haze

White cat
under the Laundry’s awning-
Spring shower

Snow flurries
from nose to shovel
beads of sweat

country curve
A goose in the road
honking

quivering 
in the front yard-
frosted grass

A belly 
swollen with gurgles-
New Moon

Staring
into a smartphone-
sunset

Crescent moon-
A sliver of cake wanes
in the urinal

Under the moonlight
the serious moonlight-
Marsh reeds dance

Interview-
The poet says
"No comma"

Morning fog
Lingering on the tongue
Earl Grey

Two Trains Running-
Boyfriend on hold
for the husband

Words wrap
around six croaker-
Muhammad Speaks

August afternoon-
The dog licks
an empty bowl

Purring 
under the quilt-
Not my cat

Waiting
in a long line for work-
Black ants

Cherry blossoms
glisten with dew-
New lipstick

Memorial Day-
Googling a knot
for the hanging chair

Horizon
A railing
Boardwalk

The last edit
written in red-
Paper cut

First trimester-
The kick of the shrimp
curry

Visiting Room phone-
The long echo of that
last sentence

A quick-blown kiss
high heels its way into
the Etheridge night

Late students-
Missing the
Syllabus

Pine Barrens-
A buzzsaw cuts into
the silence

Full moon-
The sudden O of 
a Glock's muzzle

Low tide-
The ocean also has
Morning Breath

Call to prayer-
The transit bus stops
kneels

Both queens
off the board-
Chess widows

April drizzle-
The gutters gush with
cherry blossoms

Unable to shake
the strength of his hand-
Poker nemesis 

Nightfall-
The descent of a tear
gas canister

Riot police-
A broken arrow of
overhead geese

Peeking into
the abandoned cars-
Low winter sun

Airport Terminal-
The morning sky dons
a blue cap

Bumping
into the chairs-
Blind Date

New Years Eve-
Fewer and fewer cubes
in the glass

Winter Solstice-
The long blackness of
a Stretch Limo

Pebble in a puddle-
The moon under a scrim of clouds

Grayish beard-
Yet still playing 
with action figures
of speech. 

December night-
A little bit of Frost
on the syllabus

Hung jury-
None of the strung up sneakers
are gray

Full Moon-
A clean look at the rim
under the lights

Shrimp Gumbo-
Waiting for the flame
to rise

Casino exit-
Losing everything 
but my shadow

Half a crayon-
Our son gets a taste
of the blues

Brick wall
written in cursive-
His pee

December 1st-
Footsteps falling
in the rain

Trailer Park
A murder in broad daylight-
Crows on a branch

Outside the club
Stamped on the back of a hand
Full Moon



Tuesday, December 29, 2015

And Again

[insert name]

These are the lyrics of a hit, 
number 1 with a bullet,
pinned to the top of the charts. 

This poem is not 
a "suspicious" hoodie,
has not snatched any cigarillos,
is not in an illegal chokehold,
(although it may have
a toy gun tucked 
in its waistband),
this poem was shot 
on video
in the back. 
This poem may 
play its music too loudly,
or contradict
the police report. 
But this poem
will convene
no grand jury
to return No True Bill. 
This poem checks out,
so the only charges
will be on a credit card
for funeral services.

These words
possible because
while facedown 
on the concrete
of the righthand lane
at 10:37 AM 
on April 15th, 1987
at 19067 Greenbelt Road
my sternum
could bear the weight
of the knee between 
my shoulder blades,
and the .38 revolver
eyeing the back of my head
had a 15 lb. trigger pull
and not the 8 lb pull
of a Glock 9mm. 

Possible because
I did not
bet on black
while playing Roulette
by Cop. 

This poem
was not written
because angry, 
this poem
was not written
because "Self-Defense". 
This poem
was not written.
Because my hand
is two
behind my back
cramped
from having
to write
and wright 
and rite
this poem. 

It’s not true that
my eyes are red
as a bag of Skittles,
if this page is dotted
it is only Arizona 
Iced Tea
that was spilled. 

This poem mentions
no names,
not Amadou Diallo,
Sean Bell, 
James Byrd Jr. 
or [insert name]

This poem pertains to no crime,
it comes natural
contains many enwreathed flowers 
but no trees
with branches strong enough
to bear the weight 
of a black man or woman
or boy or girl,
no rope (to be at the end of),
or even a simple slipknot. 

But it does loop;
like a wandering moose,
a homeward goose,
or a four hundred year old
ruse.

Tuesday, November 24, 2015

Haiku/Senryu and assorted nonsense



Long time no post, for various reasons. Some are technical problems, others personal. I ould prefer to mostly just post poems, but nobody really reads anything other than the haiku and senryu and posting my longer poems means that some publications will consider them "published." So, I'll just be posting short forms mostly from now on.

PROVIDENCE My grandfather escaped a broken chain of islands off West Africa. Off course, they Rhode a storm to an Island that wasn't.

GRAMMA LESSONS My grandmother never spoke Kriolu with me, 
but still put catxupa, 
jagacida and linguiça 
on my tongue.

Working her last nerve- Almost full moon

Shrimp Gumbo- Waiting for the heat to come on

Morning fog- The clam boats unload their odor

New recipe- I try to visualize whirled peas


Presidential debate- The garbage disposal grinds to a halt

Telephone line- A constant static of starlings

Cracked flower pot the deep purple blossom her newest bruise


Halloween- The Dentist's pumpkin has all its teeth

Halloween- The kids stack peanut butter cups


Halloween Eve- The tattoo guy practices on a pumpkin


Red light- From the open Marquis' window Sade streams

Supermarket line- Halle Berry is free again

Autumn- Into a pile of leaves we fall

Fire truck- The leaves of the Flame Maple smolder

Home poker game- The origamist folds his cards

Dad's resolve- Folded into three corners of a flag

Verdade

Tudu Morna tem un Mar
ki ca tem mar di agua
tem mar di Sodade

Flashing roadside in the cop's Aviators- Fireflies

Columbus Day- Discovering the taste of tears


Slave Quarters- Every cabin a Master bedroom

Notification from my favorite app- Blood Moon

Swept up to the top of her head- Super Moon

Buried halfway in a new Bestseller- Fallen leaf


Wednesday, September 16, 2015

Haiku/Senryu

Morning fog
The long exhale
of a Marlboro

Morning fog
The long exhale
of a Marlboro

Back of the bus
A Jolly Rancher purples 
her pucker

Sportscenter
The TV screen full
of her pout

Saturday, August 15, 2015

Aug 2015 Haiku/Senryu

All Butter pound cake
Pistachio gelato
Not a haiku

August sunset-
Nude descending a staircase
two

Growing on me-
The green streak 
in her hair

Lower Manhattan 
No escape from its shadow
World Trade Center

August Heat-
The lingering taste of
some Scorned Woman

August Heat-
The non-stop stares of
fish on ice

Half moon-
The head of a man asleep 
on this Park bench

Slow climb
up a dark staircase-
Moonrise

Almost white chicken
glazed with tap water
beside the red coals

Maddening-
My son and I play
a video game

Only visible
to the Officer's flashlight-
Dark Matter

Until next we meet, may all your potatoes be sweet (and dusted with cinnamon.)

Tuesday, July 07, 2015

July 2015 Haiku/Senryu



Thunderheads
The darkness of plums
at Foodtown

First Date-
Eating Baby Back Ribs
with a fork

Park bench-
The eye of the sparrow
watches over me

Half Moon-
The glistening curve
of her bite

Run over
by Rush Hour traffic-
The tree's shadow

Her eyes-
Packets of Raw Sugar
torn empty

Park bench-
The eye of the sparrow
watches over me

In each store window
the same
quizzical face

Green tea with honey
The way her eyes catch
the sunlight

Again and again
paddling 
the summer sun

Left knee
the Dining room window shade
that keeps catching

Croissant flakes
What little French 
I remember

August Sky
grayer above the Temple
Fiftieth birthday eve

Bone spur-
Why my Achilles
won't heal

Left knee
the Dining room window shade
that keeps catching

Lazy eye
That one kid who keeps trying
to peep your answers

August Sky
graying above the Temples
Fiftieth birthday eve

Green tea with honey
The way her eyes catch
the sunlight

In Starbucks
noticing that Ishmael
blocked me on Facebook

Post divorce
The softness of the pianist's hands
But Not for Me

Arnold Palmer
The gulf between the order
and the drink

Waiting Room
The motorcycle helmet
above the cane

Not the Pinta
Not the Santa Maria
The Nina she moans

Morning fog
The parking lot fills
with honks

Bid Whist
Before cutting the cards
Mo cuts her eyes 

Clamor of crows
on a telephone line
Black Twitter

July heat
Still attached to the church
a burning cross

Until next we meet, may all your potatoes be sweet (and dusted with cinnamon.)


Wednesday, June 24, 2015

June 2015 Haiku/Senryu



Trying to be more diligent about keeping track of my ku. Here's this month's output so far. I will update it as necessary. Surprisingly, it's been a very productive month. I'm thinking about doing the Haiku a day thing every month and not just during NaPoMo. 

Full moon
The half of the Oreo
with the stuff

Daydreamer
now a citizen of the
imagination

Carolina dawn
Rising up the flagpole
a woman's hands

Milky Way
Between the stars
Ahmad Jamal's fingers

Empty crayon box
Our son gets a taste
of the blues

Memorial Day
Strewn about the beach
Lorna Doones

Scraps of tires
The flatness of a tern
in the road

Urbane graffiti
Only the expletive
written in cursive

A black cat
settles on the windowsill
October nightfall

Deepening sunset
A pickup's Rebel flag
shrinks in the distance

A bluebird rises
from a budded branch
April daybreak

White cat
Bloody pause
Nine lives gone

The largest hand
sprinkles the Truffle Salt
Father's Day

Summer Solstice
A Father's hand lengthens
a girl's smile

There to prey
The sight of a rifle in the
Sanctuary

Still rippling over
Charleston South Carolina
Battle Flag

The curl
of a dead boy's fingers
A toy gun

This woman's white hair
How majestic the crown
of those mountains

Prayer meeting
The expressions on faces
outside the church

Not a prayer
The echo of a rifle
through the Pews

Moonrise
Only the cue ball
left on the table

Spin Cycle
Abe Vigoda is dead
again

Wave after wave
Falling onto the beach
Boardwalk tourists

Green light
Cars wend around the fountain
Zazen

June afternoon
The Italian Ice man
shaves smiles

Knot
composed of cords
or net

Cold man
A Shake of jazz to come
Free with Cherry 

Rainy day
Our son only seems to know
words that end in Why

Ornate coal man
Mellow descends a fair well 
drifts in the missed

Frost on
the rear windshield 
Snow moon

Grain moon
A crescent of cake waning
in the urinal

Summer night
the beach fills with
sound of waves

Day after Xmas
throwing out my back
with the trash

Back alley
Written in cursive
his pee

Afternoon fog
low door jamb
sudden sprinkle

JV Football
My son goes to the pine
to learn about pine

Black Hawk on a breeze
The Last Diné Code Talker
rises

Basketball court
Two crows caw
Next game

Dinner time
the open mouths of 
slot machines 

Gardenias 
The blind man's cane
skips a beat 

Lying
over the numbers
Spread sheets

Cannabis seeds
My mother startled
by a roach 

Bouquet of Roses
The skin on her collar bone
blooms

Detached houses
The distant eyes of the new
neighbors

The oak's roots
raise blocks of the walkway
Daddy's fingers

Divorse papers
We spot the typo
together 

June sunset
How softly the petals
flutter down

And until next we meet, may all your potatoes be sweet (and dusted with cinnamon.)







Friday, June 12, 2015

Friday Follies 12 JUN 15



To celebrate the life of the recently ascended Ornette Coleman, here are three of what I like to call Cubist Haiku. Coleman was infamous as one of the great innovators of Jazz music creating what would be called "Free Jazz". At a time when the leading innovators were playing a style (Bebop) that relied on using notes of chords taken from a song's harmonic structure, Coleman eliminated chords from his written compositions and instruments that played chords from his band, a move that struck most as completely crazy. His most famous album "The Shape of Jazz to Come" set the jazz world on fire, and sparked endless debates. And yet, the songs worked, thanks in part to his wonderful ability to create melodies. Coleman was also known for his highly idiosyncratic use of language and sometimes seemingly circular logic. As time passed he came to be justified in his approach to the music but his semantic weirdness never waned. Here then are three haiku/senryu in his honor.

Ornate coal man
Mellow descends a fair well 
drifts into the missed

Cold man
A Shake of jazz to come
Free with Cherry 

Knot
composed of cords
or net

Among the alternate readings of the first piece is " Ornette Coleman/ melody sends a farewell/ drifts into the mist."
The second piece makes reference to Don Cherry, the long time trumpet player in Voleman's band and father of singer Neneh Cherry. 
And among the alternate readings of the third piece is "Not/composed of chords/ Ornette"

And until next we meet, may all your potatoes be sweet (and dusted with cinnamon.)




Wednesday, June 03, 2015

May 2015 Haiku/Senryu



Memorial Day
Strewn about the beach 
Lorna Doones

Full moon
The half of the Oreo
with the Stuff

Spring breeze
I rearrange the flours
in the cupboard 

Garden harvest
More salt less pepper
in my beard

September moon
Ahead in the headlights 
Oh Dear

Cherry Coke
My students ignore
the blossoms

Cherry blossoms
She scrounges her purse
for lipstick

Dripping from
the water tower
Spring rain

Her fingers
on my bare shoulder
Piano music

The Rapture
I find in Revelations
a squashed ant

Milky Way
between the stars
Ahmad Jamal's fingers

Afternoon fog
light drizzle 
low door jamb

Baltimore twilight
The slow fall of a tear 
gas canister

Three AM
The homeless man finds
a round trip ticket

Stretched across
the back bench of the bus
Morning sunshine

Morning fog 
a mother waiting on
the feeble sun

On the Boardwalk
the spotless shoes of the man
in a wheelchair 

Morning fog
only one of us
monogamous

Bouncing off
every riot shield
Waxing gibbous moon

And until next we meet, may all your potatoes be sweet (and dusted with cinnamon.)








Thursday, May 28, 2015

Friday Follies 29 MAY 15

So a few nights ago Cheryl Lynn and Anita Baker allegedly had some beef on Twitter, although it was more like one person chewing on some (very spicy) beef jerky. Yes, it was probably petty, although easily the most entertaining thing online at 1 AM. Of course, Tonk playing Twitter (aka Red Kool Aid Twitter, Black Velvet Jesus Twitter) went IN, mostly on Ms Lynn. All of which is cool as a box of Bomb Pops in your Granny's basement freezer. But there was a consistent misconception that needs to be cleared up. And who really is better qualified to do that than your homeless uncle DJ Renegade? First off, I've been an AB fan since Chapter 8 (no that's not a type of bankruptcy) even though her voice (like Lagavulin) ain't for everybody, including evidently Clive Davis. And yes, we can all name five AB songs for every CL song (assuming you go back to '78). And yes, AB sold more copies of "Rapture" than CL sold of allofheralbums COMBINED. All of this is as true as hamhocks are greasy. But when it comes to vocal talent (instrument + musical ability) there is really no comparison. CL got more chops than a bamboo forest has sticks. AB is a singular talent with a unique style and a distinctive timbre all her own, and yet CL can sing her under the table. Pick one, your Auntie's card table? Check. Your Nana's glass top Coffee Table? Check. Your Mama's walnut dining table with the heavy ass extensions? Check. The table where Christ and his Disciples ate the Last Supper? Check. The Periodic Table, the Water Table and the Table of Contents? Check, Check and Checkmate. Whatever you do, DO NOT SLEEP on CL's voice. *grabs you by the lapels* Do not (for the love of Banana NowOrLaters) get it twisted, CL got more range than the Appliance sections at all the Home Depots. Check her LIVE performance with Luther on Soul Train where she harmonizes UNDER him by singing some Bass/Baritone notes like she was wearing some of Lou Rawl's drawls. Check her background vocals on "Got to Be Real" where she harmonizes with herself with multiple Whistle Register notes. Yall ain't probably know she had a Whistle Register because it's perfectly blended into her Head and Chest voices. CL don't grandstand, she just hits whatever notes the song needs and floats on. Shorty got more range than Patti LaBelle (there I said it), but before you get up early to poison my Earl Grey, save your side eyes and Google or YouTube or ask somebody with perfect pitch. All the notes are on the record.

And until next we meet, may all your potatoes be sweet (and dusted with cinnamon.)

Tuesday, May 26, 2015

Tuesday Tidbits 25 May 15



Speck of white
floating in this evening's tea
October moon

Rhyming 
with every streetlight
June moon

December moon
Drifting into our window
Autumn leaves

A crescent cake 
wanes in the urinal
August moon

Won't you
be my Valentine
February moon

Rippling softly
among the Bay reeds
May moon

The only fool
Holding a mirror to the sun
April moon

Blowing clouds
from bright cheeks
March moon

Frosting
the rear windshield 
January moon

September Moon
Caught in the headlights 
Oh Dear

Blind rage
she bans the July moon
from our bedroom 

Moonless night
Tip-toeing down the hallway 
cat's eyes

So many eyes
on a hanging chad
November moon

And until next we meet, may all your potatoes be sweet (and dusted with cinnamon.)



Monday, May 11, 2015

Tuesday Tidbits 12 MAY 05




MUSIC LESSONS

My stuffed panda,
nicknamed Pythagoras,
sang to me until I was ten.
Then I heard the bike sprocket
of logic rip up
the pants leg of his song.
The logic of adolescence
is the long blue ache
for adulthood.
I blew adolescence
like bubbles from a trumpet's bell.
From my Middle School hallway,
music class beckoned.
Pythagoras sang music
as a sacred form of math,
neon numbers raised to the highest power.
All my school trumpet desired
was to be carried home
to our housing project
in a case with a velvet lining,
a conical mute.
Why do clouds get to play with
such vast velvet Blues in the background?
The mute desired to teach me
how to moan in public,
but I took up the trumpet
as a budding oral essayist.
Or to replace what Pythagoras sang.
My mouth became a bed
for the mute to dream in.
I did not dream of god
the way I dreamt that
minor chords wore hard hats
with tiny beaming lights.
I still recall the whole notes
of my eyeballs
filling with blinding light,
a bright blare
not unlike a horn,
whose body became
a balm for my adolescent fingers,
even when they couldn't
bear such brassiness.
And Miles above —
clouds were hoarse whispers
galloping from god's muted mouth.
I knew the needles of a pine
and the needles of a phonograph
could both sew song into spinning air
but didn't make the same scents.
There was scented oil
glistening the trumpet's valves.
Inside its coiled body,
a half note curling towards the open bell,
wet, rhythmic breath
buzzing into the late afternoon
with the lilt of eyeballs filling with light.
Why do we say "late afternoon"
like it showed up drunk and disheveled
hours after it was due?
Or worse, as if it recently died?
Logicians think death
has no logic, but
the logic of death
is the long blue ache for life.
My boy T claims
the truest thing about music is this:
a poem can be a useful essay,
but an essay is a useless ass poem.
I know breath collects inside a horn
the way dew collects on curling leaves.
But who collects the shavings
of quarter notes that curl
around a trumpeter's feet?
I wasn't old enough to shave,
not even seconds off the time
it took to sprint for the schoolbus.
I left my school trumpet
on the bus several times,
but it never held it against me.
Maybe I only took up
the trumpet so I could hold
Latricia Taylor against me
and collect her curling breath
in the bowl of my collar bone.
Miles above, clouds were hoarse whispers,
curling fog from god's frozen nostrils.
After I got my front tooth knocked out
I tried to play the trumpet,
but my band teacher claimed it
impossible as a one armed man
playing a violin.
I can still read the notes curling
across sheet music as easily as a grocery list,
but never learned to play by ear.
Like a man who can read French newspapers
but not comprehend the frank whispers
of the woman he desires.
Desire is a housing project
in a former French City
famous for its trumpet players.
I've truly never lived in that city,
but since my first tryst with the trumpet
the long blue logic is this;
we're all born and razed
in our red brick projects of Desire.

And until next we meet, may all your potatoes be sweet (and dusted with cinnamon.)

Friday, May 08, 2015

Friday Follies 8 MAY 15

One of the things I did during April was revisit some older poems that I wasn't happy with. There were a couple that I really thought improved and these are two of them. 

Ode To Full Lips
(for Miss Prissy)

Horizontal half-moons
silken as cinematic whispers,
last night heard my tongue
pray for that sacred space
between you.
We worship
your red's exquisite sheen
for how easily it exceeds
the Two of Heart's glossy finish.
You know it aint good sense
that makes us imagine
your fat bottom gleaming.
Months ago,
I dreamt you as sliced halves
of fruit beneath glass,
above teeth white
as an apple's bare flesh.
But now I'm shoplifting Chapstick,
brushing rich gloss
across a canvas
stretched like skinny jeans
after a midnight binge,
bewitched by what
surrounds your mouth's
satin machine.
You've been chapped
by cold, salt and sunlight.
But a single flick
from the scarlet felt
of a wandering tongue,
can supple all again.
And when are our
busses scheduled?
I want to ride
your double-decked
lushness deep into
the tunnel of your doubt,
then string bright sighs
along its dark ceiling.
You need no MAC,
Max Factor, or Clinique.
Peck. Peck. Peck.
Now that I've kissed
the blues for you,
come close
and hum
your cinnamon song. 

THE COLTRANE IN YOU
( for Terrance )

Wonders
if riffs you only dream
redeem what
you can't seem to play,
even if every note
could be token.
Fears even if
those notes were to reign,
some umbrellas might
remain unopened.
Supposes what
Faith means
is melody
forever moistening
a mouthpiece,
filling even the fifths
in the next bar.
What you pray
and couldn’t pray for
rooted in the same
earthy chord,
always entwining.
Say the embouchure
of Desire beckons
from a double bed
in a bitter suite
you seem to enter
on a hemp rope
of incense smoke
you barely remember,
in a lavish hotel
where you can never
check Inn.
Doesn't every
untangling tongue
wish to probe
the pouty mouth
of Imagination?
But what notes
the cursive smoke
now rites,
blew all ayes.
Say a naked triad
tempts the rhythm.
An organ swells.
The key motif is
all things in modulation,
let us therefore
praise the pious piano,
then change the lock,
to change the key.
What is this Acknowledgement
but a mere opening riff
curling like
the mysteries of
a quarter moon?
The audience phases,
fully dressed, observant
of the sabbath of Resolution
through half-full glasses.
A brass scepter,
your sax sanctifies
the fingered strings
of the upright bass
as unholy sticks cross,
but the cymbals
have the sound of cymbals
that are unseen.
Still the audience
witnesses and testifies.
You squeak,
and they find
in chorus-like fashion
along the back wall
a groove in unison,
E pluribus unum.
Filling all four chambers,
exposed brick walls
the color of kaolin,
the definition of diastole.
Smoke rises
in systolic Pursuance
of forms, spilled
spirits pooling
in mirrors.
A surprised door opens
and eyes widen.
Psalm, says the sax,
because the chairs
are full of ears
opened earnestly,
craving serenity.
Nimbus, nimbus
says the notation:
but can even
the nimblest fingers find
that cumulus chord?
Notes float
and conflate with
what was whispered
and almost wholly writ:
no redemption
but these digressions
on the downbeat
raining, raining . . .


And until next we meet, may all your potatoes be sweet (and dusted with cinnamon.)