THE COLTRANE IN YOU
por il miglior fabbro
Meaning tonight
you sit and work
at your desk
in search of either
an angel or lion
to poke the last coal
of this emotion
John’s gospel works
to split wide open.
Meaning we observe
how inky-haired
& lightheaded,
you start to trace
circles around
the central question—
can a “reunion
of broken parts”
form a portrait
of the Beloved
as Euler’s Identity?
Meaning we savor
how the tint can serve
at least half the sound
and apostasy can loiter
on the tongue as a lozenge,
so you and John—cartographers
on a moving train—
seek to phrase
a supreme fiction
—versus gothic of god—
to move us past
mere ode or elegy.
Meaning we ponder
how at the wheel
of the warship of worship
you whirl as the square root
of minus one extending
chords which may turn
to maroon in the bluest
mountains of duende.
Meaning we start to see
how certain starred charts
—once incomplete—
could become guide
in a bitter suite
as incensed ropes of smoke
muscle music
from hunger or hunter
—how want pays
to probe the pouty mouth
of imagination
or query the angel
and lion of Evangelion.
Meaning we trace
why the same L
which links them—
archaic name
for god or
vernacular for loss—
may seek a certain
etymology in your frame.
Meaning what if
the “good news”
concludes
the Beloved
resembles Apophenia?
I don’t know
if sufis such as you
or Trane & Rumi
learn all twelve ways
to kneel and kiss the ground,
but surely the second O
of chromatic emotions
resembles ensō
in modulation,
Meaning we wish
to learn how
to be drawn
so to speak
into a circle of fifths
or to Picasso piano keys
into a grand motif.
Does this re-choir
any Acknowledgement
of “our father”?
Meaning may now
become a minor relative
—or a relative minor—
a key to infuse Resolution
with a full-hipped logic,
to Bearden the burden
of our double basis
as battered sticks shatter
and every Zildjian
shivers into
a symbol brushed by
what seeps
through your horn
as Psalm.
Meaning we love how
since a talent may
also be a weight,
your gift gives pause—
then purples
in turbulent Pursuance
of relief,
how wind from a box
spills bottled spirits
—e pluribus unum—
as if God was an American
Sonnet massaged
into Wanda’s hands.
Meaning in the beginning
was the word
and the word was moan.
So you follow
Matthew & Mark
but sight John’s enchanted
—or merely chanted—
four syllables to carry
Miss Brooks’ theory
of the lyric between lines
which tonight—
as the angel and lion
conflate and conflict
—you train
towards wholly writ.
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