Sunday, April 13, 2025

Final Answer

 This is a revision of a poem from my book “Ideas of Improvisation”. This poem—to me—is in conversation with the Terrance Hayes poem “At Pegasus”. The ghost poem reads “nightfall —the wind spills spirits into lyric”. I’m really proud of how this finally turned out. 


THE COLTRANE IN YOU

por il miglior fabbro


Meaning that which

nightly probes

the first oh

of what emotions

your dark matter

now splays open.

Meaning inky-haired 

& lightheaded,

you begin to trace

a circle at your center

pondering if

in a reunion

of broken things

a portrait of the Beloved 

could be Euler’s Identity?

Meaning since the tint

can serve at least half the sound

and apostasy can loiter

on the tongue as a lozenge,

both of you—cartographers

of a changing terrain—

seek to phrase

which shade of faith

versus gothic of god

moves past mere ode or elegy.

Meaning at the wheel 

of the warship of worship 

you vie for the root of unity

to unravel extended chords 

which could move to maroon

in the bluest mountains

of duende.

Meaning certain starred charts

—once incomplete—

may soon become guide

in a bitter suite

as incensed ropes of smoke 

muscle music from hunger

also heard as play

—how want 

might prey to probe 

the pouty mouth

of imagination

or query the angel 

and lion of Evangelion.

Meaning the same L 

which links them—

archaic name 

for god or

vernacular for loss—

may seek to superpose 

a word in the world.

Meaning what if

the “good news” 

also concludes 

the Beloved 

favors Apophenia?

I don’t know

if all musicians 

learn at least twelve ways 

to kneel and kiss the ground,

but surely the second O

of said emotion

moves around ensō

in modulation,

meaning how

to be drawn

into a circle of fifths 

or to Picasso keys

into a piano’s grand motif?

Do we re-choir

the “Acknowledgement”

of our father?

Meaning a relative minor

to greater absolve 

any resolve for “Resolution”

or a full-hipped logic

to Bearden the burden

of our double basis

until battered sticks shatter

and every Zildjan 

begins to shiver

like symbols 

brushed by the breadth

of what you seek to recite 

through your horn

as “Psalm”?

Meaning since a talent

may also be a weight,

your gift gives pause—

or purples in turbulent

“Pursuance” of relief,

wind from a box

spills uncertain bottled spirits

—e pluribus unum—

as if God is an American 

Sonnet massaged

into Wanda’s hands.

Meaning what 

of his or your petitions—

four chanted 

or enchanted syllables

—signed by two lips

bobbing about

a Brooks theory 

of the lyric

between lines 

that nightly twist

to conflate or conflict

becoming

wholly writ?

Wednesday, March 12, 2025

WELP!

AN IDEA OF IMPROVISATION AS ENTERING A TEMPLE


or sensing, no inventing

the singular sound of

a bowl of fuchsia blossoms

to somehow say

“why is a future tense”

to reflect or project

what we alone feel presently

becomes a recurrent currency—

kneeling or falling before

a nearly purple sound

to make what 

we might ache to field

or place as scene—

a local sight

of the solo

as empathogen.

Friday, February 14, 2025

Bah Humbug!



AN IDEA OF IMPROVISATION

AS A HAUNTOLOGY WITH

A RECIPE FOR PERSIAN ROULETTE

(after Kaveh Akbar)


Why does life set tar along our path?

As a child nearly any thesaurus 

roared like a favorite dinosaur until

the beloved came before me to leave 

a cursive sitar next to certain furniture

on legs too short & dark for longing

how far must my sheep now wander

inside the silent ones a rose to set art 

circling round the sound of our father

like a tarot type of card in some casino

of the heart down to our bottom holler

I would grip the right arm of a slot machine

like the leftover parts of a long gone lover 

—if only I found the Farsi word for star



Tuesday, February 11, 2025

Thursday, January 16, 2025

Happy Helen Folásadé Adu Day!

Is your love HyperQBic? 

Does it have Alchemical metaphors? 

Does it have colorpuntal pearls like a ghost poem? 

Here we go again. 

I’m not thirsty, you’re thirsty  




AN IDEA OF IMPROVISATION 

AS MUCH ADU ABOUT NOTHING

“Didn’t I tell you what I believe,

did somebody say that . . .”

Sade


Ifemi, is it a rhyme 

if not even 

the nutty undertone 

of almond blossoms 

can stop a man

from being spotted 

like a Luna moth

in the halo 

of a porch light?

And Beloved, how many 

more dream cycles 

before your cat eyes

& vixen lipstick

leap the ravine 

of No Return

to sip me again

as a sommelier would 

a finger of Pinot

or your rebel red nails

re-press their crescents

across the midnight sky 

of my back?

Half icicle, half feather,

it seems only this morning

your fingers 

counted every curl

on my neck,

but Ifemi who now 

is paying attention 

to the shades 

of your phases

of the moon tattoo?

Pray tell, should 

our gazes cross again, 

I promise not to miss

your wrist’s brassy passion 

for Adinkra charms

& police bracelets

or how your husky alto

might begin to crown

 my love as king.

Ifemi, what keeps 

us seeking cashmere

from palms 

marked by symbols 

of five types of feral?

Oh, freckled cheeks of Jesus,

I may be starting to grasp

why Shakespeare said

 Cupid kills

some with arrows,

some with traps.

 But who knows

if even communion

 could wholly classify

the butterflies caught

by your amber irises?

Ifemi, where

is it written

—as a saxophone

signals sapphire—

that a fool for roses

must always be 

a fool for rain? 

I don’t believe

you whispered

a love like hours won’t last

before your ponytail of 

[titanium & samarium]

swung past 

a first flame of bud 

to our last good buy. 

But how may 

I truly be sure 

if the sandalwood & citrus

in your hair can settle 

what a single strand

seems to be trying 

to say about absence 

as a way of staying?