AN IDEA OF IMPROVISATION FOR VIOLIN AND VIOLA
(for Hilary Hahn)
Not as if
your fingers
cause a rise or fall
in the pitch of a note
to become a query
or seek to caress
or pinch a fret
until certain sounds
begin to unpeel
from two citrus bodies—
say a blood or
navel orange—
or also not
as if a sound
like a body of water
rippling below
a duvet of darkness
or a lilt of the beloved
in the leaps of a ghazal
lifting to question why
any blossom—
blood orange
or navel—might need
to guide or guard
the borders of intonation
while other flowers
seem to dream
of crossing it with what
—when you toss
your hair that way—
almost flickers
like abandon,
but tonight perhaps
as if beyond
the normal scales
—while orange petals
lick the air
above a wick—
could lie a troubled clef
which even as it knows
it shouldn’t
might denote
a wisp of smoke
or appear to curl
into a silk scarf of sigh—
now pianissimo—
which could try
to warn a length—
suddenly bare—of neck
of what could lie
beneath certain muscles
which may or may not
mimic a blood or
navel orange’s
quiet tremble—
as if only until dawn,
as if only until taken
or mistaken for
something which—
in this low light—
could rise or fall
like a lip of chrysanthemum
on a ridge of collarbone.
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